Agar Khaahi Hayat Andar Khatar Zi Persian Poetry

1: Tarjuma: Aik hiran ne dusre hiran ko apne dil ka dukh (banate how) kaha ke main aaj ke baad Haram (Kaba) mein panah hasil kar loun ga (kyoun ke) jungle mein tou shikari (har waqt hamari) ghaat mein (baithay) rehte hain aur hum hirnon ki khawahish (aur marzi) ke mutabiq na subah hoti hai aur na sham (aur humain subah sham kisi waqt bhi chain hasil nahin) Main tou shikari ki is musibat se panah chahta hon aur apne dil ko (in) tamaam khatraat se azad dekhna chahta hon.

2: Tarjuma: Us ke sathi (hiran) ne kaha: Aay (mere) aqal mand dost! agar tou zinda rehna chahta hai tou khatraat mein (reh kar) ji. Har lamhe apne aap ko saan par ragarta reh aur teez dhaar wali (umdah) talwar se bhi zayada taiz ho kar zindagi guzar (kyoun keh) khatrat tou taqat (aur quwat) ke liye imtihan (ki tarah) hote hain aur jism aur jaan ke imkanaat ke liye kasoti ka kaam dete hain.

Tashreh: Tashreh: Allama Iqbal ki nazam "Agar Khaahi Hayat Andar Khatar Zi" ke is band mein dusre hiran ka woh jawab paish kiya gaya hai jo woh is waqt deta hai jub pehle hiran usay apne dard dil se agah karte howe ye irada zahir karta hai ke shikari ki musibat se bachne ke liye main ne Haram Sharif mein panah lene ka faisla kar liya hai. Chunachay ye sunn kar dusra hiran pehle hiran se kehta hai aay mere aqal mand dost tou apni zindagi ko lahaq khatrat se ghabra kar Khana Kaba mein panah kyoun hasil karna chahta hai? Zindagi is ka naam tou nahin hai ke kahtrat aur mushkilat se farar hasil kar ke kisi goshah afiyat mein panah li jaye balkeh zindagi ka haqeeqi lutf mushkilat ko bardasht karne ka samna aur muqabla karne mein hai. Is liye tou agar zindagi rehna chahta hai aur agar tujhe zindagi ki tamana hai tou khatrat se bhagne ki bajaye khatrat mein reh kar jee, apne andar mushkilat ka muqabla karne ka hosla paida kar. Ye dunya tou bohat bari hai is tarah ke khatrat se bhari hoi hai. Hum hirnon ko sirf shikariyon se hi nahin shair aur cheetay se bhi jaan ka khatra rehta hai. Yahan shaheen aur aqaab jese taqatwar parindon se kabutar jese kamzor parinde preshan rehte hain. Aisay mein moot ko dekh kar kabutar ki tarah ankhain band kar lene ki bajaye moot ki ankhon mein ankhain daal kar jeena chahiye aur apne aap ko halaat ke rehm-o-karam par chor dene ki bajaye un ka samna karna chahiye. Is liye aay mere dost tou sehra ki zindagi ki mushkilat aur shikariyon ke khoof se ghabra kar Haram Sharif mein panah lene ka irada karne ki bajaye apne aap mein khatrat ke darmiyan reh kar zindagi guzarne ka hosla paida kar. Agar tou sahi manon mein zinda rehne ka khawahish mand hai tou khatrat aur afaat aur mushkilat mein zindagi basar kar kyoun ke zindagi ka lutf hi mushkilat ka muqabla karne mein hai.

Muhawara Ma bain Khuda-o-insan Dialogue between God and Man

KHUDA: Translation: (Khuda insan se gilah karte howe kehta hai ke aay insan!) Main ne tou (puri) dunya ko aik hi (tarah ke) pani aur mitti se paida kiya tha (magar) tou ne isay Iran, Tataar aur Habshah mein taqseem kar diya. Main ne zameen se khalis folaad paida kiya (tha magar) tou ne us folaad se talwar, teer aur bandooq (jese mohlik hathyar) bana liye. Tou ne bagh ke podon (ko katne) ke liye kulhara banaya aur tou ne geet gane wale parindon ke liye pinjra bana liya.

Explanation: Allama Iqbal ki nazam "Muhawara Ma bain Khuda-o-insan" ke is band mein Khuda insan se kehta hai ke mein ne is dunya mein bohat si cheezain bhalai aur tere faide ki khatar takhleeq ki thien magar tou ne un ka ghalat istmal kiya hai aur is tarah in cheezon se dunya mein tameer ki bajaye takhreeb phailane ka mojab ban raha hai. Maslan mein ne tamaam insanon ko aik hi tarah ke pani aur mitti se banaya tha aur is tarah tamam insanon ko masawi aur barabar paida kiya tha aur un ke darmyan kisi qisam ki koi tafreeq qaim nahin ki thi magar aay insan! tou ne aik hi mitti aur pani se paida hone wale insanon ko mukhtalif siasi, nasli aur lasani khiton mein taqseem kar diya hai. Ab koi Irani kehla raha hai tou koi Turk aur Tataar kehlata hai aur kisi Habshi aur Siyah Faam qarar de kar nafrat aur haqarat ki nazron se dekha ja raha hai. Main ne sub insanon ko yaksan paida kiya tha magar mukhtalif garohon mein bat gaye aur har garoh apne aap ko dusron se bar tar sabat karne laga aur har nasal apne aap ko dusri naslon se mumtaz aur aala tar gardaan'ne lagi.

Isi tarah aay insan! main ne zameen se khalis folaad paida kiya tha tou teri bhalai aur faide ke liye paida kiya tha lekin tou ne us lohe ka ghalat istmal shuru kar diya. Tou ne us lohay se mufeed aur faida bakhsh aalaat aur ashya banane ki bijaye us se teer, talwar aur bandooq jese mohlik hathyar bana liye aur phir un mohlik hathyaron se tou apne hi bhai bandon ka gala katne laga aur un hathyaron se tou ne dunya mein qatal aur gharat gari ka bazaar garam kar diya.

Aay insan! main ne dunya mein khubsurat poday, darakht aur bagh is liye takhleeq kiye thay keh un se teri ruh ko tazgi mile lekin tou ne kulhara aijaad kar ke un darakhton aur poodon ka katna shuru kar diya. Main ne baghon mein khubsurat aur khush awaz parinde is liye takhleeq kiye thay keh woh azadi se baghon mein chehchahayain aur apni khush hali se baghon ki ronaq barhayain magar tou ne khush awaz parindon ko apni qaid mein rakhne ke liye pinjra ejaad kar liya aur unhain un ki fitri azadi se mehroom kar diya.




 Insan: Tarjuma: (Allah Ta'ala ki baat ke jawab mein insan Khuda se kehta hai ke Aay Khuda !) tou ne raat banai tou maine (us raat ko roshan karne ke liye) chiragh banaya. Tou ne mitti paida ki maine (us mitti se) payala bana liya. Tou ne bayaban, pahar aur jungle paida kiye tou main ne phoolon ki kayariyan, chaman aur bagh banaye. Main woh hon jo pathar se aaina banata hai. Main woh hon jo shehar se dua-e-shifa banata hai.

Tashreh: Nazam "Muhawara Ma bain Khuda-o-insan" ke is dusre band mein insan un baton ka jawab deta hai jo nazam ke pehle band mein Khuda ki taraf se kahi gayi hain ke Aay insan! Main ne dunya mein bohat si cheezain teri bhalai ke liye aur tere faiday ke liye takhleeq ki thien magar tou ne un ka ghalat istmal kiya hai aur is tarah un cheezon se dunya mein tameer ki bajaye takhreeb ka baes ban raha hai. Khuda ne tou insani fitrat ke takhreebi pehlu ki taraf ishara kiya tha magar insan jawab mein is takhreebi pehlu ki babat apni safai paish karne ki bajaye apni fitrat ke tameeri pehlu ki taraf ishara karte howe kehta hai ke Aay Khuda ! main ne teri takhleeq ki hoi dunya ko banaya, sajaya aur khubsurat se khubsurat tar banaya hai. Tou ne raat banai thi. Main ne us raat ki tareekiyon mein ujala karne ke liye chiragh banaya. Tou ne mitti paida ki thi. Maine us mitti se payala banaya takeh pani pee sakon. Usi mitti se main ne aur bartan banaye aur unhain apne khane peenay ki zarooraton ke liye istmal kiya. Aay Khuda ! tou ne bayaban, pahar aur jungle banaye thay mein ne un mein khubsurati ka rang bhara. Main tou aisi ghair zaroori salahiton ka malik hon ke tou ne jo pathar paida kiya tha aur aaj tere paida kiye howe kitne hi zehar aisay hain jo meri mehnat, himmat aur zahanat aur qabliat ki badolat mukhtalif bimariyon ke ilaj mein akseer duwaon ke toor par istmal hote hain.

"Huddi" Naghma-e-Sarban-e-Hijaz Persian pu BA course outline

1: Aey meri teez raftar oontni tou mere liye Tataar ke hiran ki manind hai. Mere dirham aur dinar (meri dolat) tou hai, (khawah) ye daulat thori hai (aur khawah) zayada (magar) tou hi hai. Tou meri jeeti jaagti daulat (aur sarmaya) hai. Zara aur teez qadam utha, hamari manzil (zayada) door nahin hai.

2: (Sanaar Baan apni oontni se kehta hai ke aey meri oontni!) tou dilkash aur intihai khubsurat hai. Tou khubsurat mehboob hai. Tou (apne husn ki wajah se) hooron ko sharminda karne wali hai. Tou laila ke liye rashk ka baes hai. Tou sehra ki beti hai. Zara aur teez qadam utha, hamari manzil (zayada) door nahin hai.

3: Tou suraj ki teez dhoop mein bhi jabkeh sehra mein door se rait par pani ka gumaan guzarta hai, teezi se safar karti hai. Isi tarah tou chandni raat mein bhi tootne wale sitare ki si teezi se safar karti hai aur (is safar ke bawajod) teri aankhon mein neend nahin aati tou apne qadmon ko aur teezi se barha ke manzil hamari door nahin.

4: Tou chalte howe badal ka aik tukra hai. Tou aisi kashti hai jo baadban ke baghair chalti hai. Tou Hazrat Khizar A.S ki tarah har raste se waqif hai. Tere liye har mushkil asaan (ho jati) hai. Tou (apne) sarban ke dil ka tukra hai. Tou aur teezi se barha qadam apne hamari manzil door nahin.

5: Tera soz teri mahaar mein aur tera saaz teri chaal mein hai. Tou bhooki aur pyasi subah aur sham safar karti rehti hai. Kisi jagah theherne se tou thak jati hai. Apne qadmon tou zara jaldi barha hamaari manzil door nahin.

6: Tou agar sham ke waqt Yaman mein ho tou subah ke waqt Qern mein hoti hai. Watan ki sakht rait tujhe apne pairon talay chameli ke phool ki tarah (naram) mehsoos hoti hai. Aay (meri oontni) Khatan (Khatan = Turkistan kaaik alaqa haijahan ke hiran apne kastoori ke liye mashoor hain) ke hiran ki tarah hai. Zara qadam aur teez barha manzil ab door nahin hamari.

7: Chand ne safar se paon khench liye aur (chalte chalte thehr gaya hai aur ab) teelay ke peechay araam karne laga hai. Mashriq se subah namudar hoi (hai) aur us ne raat ka (tareeki ka) libaas taar taar kar dala hai. Ab sehra ki hawa chalne lagi hai. Zara aur teez qadam utha, hamari manzil (zayada) door nahin hai.

8: Translation: Mera ye geet bohat dilkash hai. Is ka utaar charhao ruk ko tazgee deta hai aur qaflay walon ke liye kooch ki ghanti hai. Mera ye geet fitne ko khatam bhi kar sakta hai aur (ishq ki) aag ko bharka bhi sakta hai. Aay meri oontni ke tera munh Khana Kaba ki taraf hai, zara aur teez qadam utha humari manzil door nahin hai.

 

Explanation: Allama Iqbal ki nazam "Hudi" ke is band mein Arab ka sarban apni oontni ki sakht jani aur hosla mandi ki tareef karte howe us se mukhatib ho kar kehta hai ke aay meri oontni! mera ye geet bohat dilkash aur asar angeez hai. Mere is geet ka utaar charhao ruh ko tazgee bakhshta hai. Isay sunn kar murda se murda ruh zindagi ke walwale se sarshar ho jati hai aur mere is geet ki wohi haisiyat hai jo qafle walon ke liye ghainti ki awaz hoti hai. Aay meri oontni tou sard bhi ho sakti hai aur is se dilon mein ishq ki aag ke sholay bharak bhi sakte hain. Aay meri oontni tou bari khush bakht hai keh tera rukh Khana Kaba ki taraf hai. Tou bari naik naseeb hai ke tou Allah ke ghar ki ziyarat ke liye ja rahi hai. Mere sath tujhe bhi us muqadas aur pak sar zameen par paishani rakhne ki sa'adat hasil ho gi.

Kirmak-e-Shab Taab Persian Poem

1: Aik bay qeemat zaray ne aahon ki daulat jama ki tou ishq ne usay is qadar jalaya ke parwane ki si khu seekh gaya aur raat ki tareekiyon ko roshan karne laga.

2: (Ye jugnu darasal suraj se bichar kar) peechay reh jane wali kiran hai jo simat kar chingari ban gayi hai. Zindagi ki tapish ki badolat us ke tamaam kaam sanwar gaye hain (us ki zindagi kamyab ho gayi hai) aur woh sahib-e-nazar ho gayi hai.

3: Betaab parwana jo ke har taraf bhag dor kar raha tha, shama par khuch is tarah jala ke us ne apne aap ko shama hi bana liya aur is tarah main aur tou ke faeq ko khatam kar diya.

4: Ya (phir) ye (jugnu)naik chota sa sitara hai ke roshan chand jis ki ghat mein hai  (aur jo) zameen ka nazara karne ke liye aasman ki bulandiyon se (zameen ke) bohat qareeb agaya hai.

5: Aay thori roshni wale chand (tou aisa chand hai) jis ki roshni aik hi jalwe mein mukamal ho jati hai. (Tou) aisa chand hai jis par suraj ka ehsan uthana haraam hai aur jo muqam ki qaid se azad hai.

6: Aay raat ko chamakne wale keeray tera wajood sarapa noor hai. Teri parwaz chup jane are zahir hone ka aik silsila hai  (aur yehi teri) zindagi ka aaeen hai.

7: (Aay jugnu!) tou andheri raton mein raat mein urnay wale parindon ke liye mashal (ka kaam deta) hai. Woh sooz kesa soz hai ke (jis ki wajah se tou) chamakta damakta nazar aata hai aur (har waqt kisi shay ki) justuju mein masroof rehta hai.

8: (Aay jugnu!) hum woh hain jo teri hi tarah mitti se paida howe hain. Hum (mein se jo mehbob haqeeqi ko) dekhte hain, (woh bhi) tarapte hain (aur jo) nahin dekhte (woh bhi) tarapte hain (lekin hum abhi tak apni) manzil tak nahin pohanch sake.

 9: (Aay jugnu!) main tujhe aik patay ki baat batata hon jis par maine khoob ghoor-o-fikar kiya hai aur jo bohat wasi al mani hai (aur woh ye hai ke) khoi hoi manzil na zikar mat kar balkeh raste par chalta ja aur jo roshni tere paas hai us ki hifazat kar.

Explanation: Allama Iqbal apni nazam "Kirmak-e-Shab-e-Taab" ke is shair mein (jo nazam ka akhri shair hai) jugnu ko nasihat karte howe kehte hain ke aay jugnu! main tujhe aik baat batata hon. Ye baat baray patay hi hai ke tujhe apni khoi hoi manzil ka zikar nahin karna chahiye kyoun ke agar tou apni mazi ki kotahiyon aur nakamiyon ka rona rota rahe ga tou is tarah tou apne haal ko tabah kare ga  aur tera mustaqbil bhi kharab hi ga. Mazi ka ghum karte rehne se tera haal tou kharab ho ga hi tera mustaqbil bhi tabnak nahin ho sake ga. Is liye tou guzre howe waqt ki nakamiyon se sabaq hasil kar ke apne raste par chalta ja. Manzil ki taraf apne safar jari rakh aur qudrat ki taraf se jo tujhe ye roshni di gayi hai isay ghanimat samajh. Tou agar is roshni ki hifazat na kar saka aur ye roshni tujh se chin gayi ya kisi tarah zaya ho gayi tou is ke sath hi teri zindagi bhi khatam ho jaye gi.

Hikmat-o-Shair - Iqbal & Maulana Jalaluddin Rumi Poems in Farsi

1: Urdu Tarjuma: Bu Ali Sina naqah chalne se uthne wale gard-o-ghubar mein kho kar reh gaya jabkeh Roomi ka hath mehmal ke parde tak ja pohancha.

Tashreh: Iqbal ne apni nazam "Hikmat-o-Shair" ke is shair mein hikmat aur shair ka farq bayan kiya hai aur ye farq bayan karne ke liye unhon ne Bu Ali Sina ko hikmat. Maulana Jalaluddin Rumiko shair ki ilamat ke toor par paish kiya hai. Iqbal kehte hain ke Hakeem aur Shayar  dono haqeeqat ki talash mein hain. 

 Hakeen yani Bu Ali Sina aqal ke waswason aur shakook aur shubhat ke gard-o-ghubar mein gum ho kar seedhe raste se bhatak gaya aur apni manzil maqsood yani haqeeqat ki naqah tak na pohanch saka. Is ke bar aks shayar sani Rumi ne ishq ko apna rehnuma banaya aur us ne haqeeqat ki naqah tak pohanch kar us ki mehmal ke parday ko pakar liya yani haqeeqat tak rasai hasil kar ke manzil kamyabi aur kamrani ki murad hasil ki. Goya Hakeem ki aqal shakook-o-shubhat ke ghubar mein kho kar manzil se door hoti jati haijabkeh shayar yaqeen aur ishq ki kaifiyat se sarshar ho kar haqeeqat ki manzil tak ja pohancha hai.

2: Tarjuma: Ye (Roomi samandar ki) mazeed gehrai mein gaya aur (us ne) moti hasil kar liya. Woh (Bu Ali Sina) tinkay ki tarah bhanwar (mein phans gaya aur us ne usi ko apni) manzil samajh liya.

Explanation: Is shair mein hikmat aur shair ka farq bayan kiya gaya hai. Hakeen aur Shayar dono haqeeqat ki talash mein hain. Haqeeqat ki talash mein dono ne samandar mein ghota lagaya. Shayar ishq ke jazbe se sarshar tha us ne samandar ki teh tak pohanch kar gohar maqsood hasil kar liya yani haqeeqat ko paa liya magar hakeem (falsafi) ishq ki bajaye aqal ko apna rehnuma banaye howe tha, chunachay woh shakook-o-shubhat ke bhanwar mein aik tinkay ki tarah phans kar reh gaya aur woh shakook-o-shubhat ke us bhanwar hi ko apni manzil bana baitha kyoun keh is bhanwar se nikalna aur agey jana us ke bas ki baat nahin thi. Is tarah us ki rasai haqeeqat tak nahin ho payi.

3: Tarjuma: Haqeeqat apne andar sooz na rakhti ho tou woh mehz hikmat hai jabkeh us mein dil ka sooz shamil ho jaye tou woh shair ban jati hai.

Tashreh: Hikmat mein sooz nahin hota is liye falsafi dil ki bajaye aqal ko apna rehnuma bana laita hai aur youn haqeeqat ko pane mein nakaam rehta hai. Is ke bar aks shayar dil se hidayat hasil karte howe ishq ko apna rehnuma banata haiaur apne kaam mein sooz paida karta hai aur is tarah haqeeqat ko paa laita hai.

Karam Kitabi - Iqbal Farsi Poem For PU B.A Students

1: Main ne suna ke aik raat mere kutab khane mein aik kitabi keera (dimak) parwane se keh raha tha ke mein ne Bu Ali Sina ki kitabon mein apna thikana banaye rakha hai aur bohat dafa Zaheer Faryabi ki kitabon ko dekha hai (magar) mein zindagi ki haqeeqat ko nahin samajh saka hon aur mere din suraj ki roshni ke baghair isi tarah tareek hain (aur main is tareeki ke sabab isi tarah bad naseeb hon.)

Tashreh / Explanation: Allama Iqbal ne apni nazam "Kirm-e-Kitabi" mein kitabi keeray (demak) aur parwane ke darmiyan mukalma ki tamseel ke zariye ye haqeeqat waziha ki hai ke zindagi ki haqeeqat falsafa aur falsafyana kitabon se maloom nahin ho sakti balkeh ishq hi se maloom ho sakti hai kyoun keh zindagi ki haqeeqat falsafay ki dastras se bahir hai. Is tamseeli mukalme mein kitabi keeray (deemak) ki elamat aalam ya falsafi ke liye aur parwane ki elamat aashiq ya momin ke liye istmal hoi hai. Chunachay in donon ke hawale se Allama Iqbal bayan karte hain ke main ne suna ke aik raat mere kutab khane mein aik kitabi keera aik parwane se keh raha tha ke mein ne mudaton falsafe aur shayari ki kitabon ka mutaliya kiya hai. Mein ne Bu Ali Sina ki falsafyana kitabon aur Zaheer Faryabi ke deewan ko apne rehne ka thikana banaye rakha hai balkeh main un kitabon ko parh parh kar chaat chuka hon magar falsafe aur shayari ki kitabon ko khangaalne aur chaat jane ke bawajod main zindagi ki haqeeqat ko nahin samajh saka. Mere din suraj ki roshni ke baghair pehle tareek hain kyoun ke mujh par haqeeqat ka suraj tulu nahin howa aur main Bu Ali Sina jese hakeem aur falsafi aur Zaheer Faryabi jese shayar ki kitabon ko khangalne aur chaat jane ke bawajod zindagi aur zindagi ki haqeeqat ke bare mein usi tarah andheray mein hon jis tarah in kitabon ki warq gardani se pehle tha.

2: (Kitabi keere (deemak) ki baat sunn kar) aik adh jale parwane ne kahaachi baat kahi keh tou is nukte ko kisi kitab mein nahin paye ga. (ye nukta tou ishq se hasil hota hai kyoun ke ishq ki) tapish hi zindagi ko zinda tar (aur mazeed pukhta) karti hai aur (ishq ki) tapish hi zindagi ko baal-o-par (quwat parwaz) aata karti hai.

Explanation: Allama Iqbal bayan karte hain ke jub aik kitabi keeray ne aik parwane se kaha ke mein mudaton falsafa aur shayari ki kitabon ka mutaliya karne aur unhain chaat lene ke bawajod zindagi ki haqeeqat se agah nahin ho saka tou is ke jawab mein adh jale yani ishq ki tapish mein jale howe parwane ne jawab diya ke zindagi ki haqeeqat bare bare falsafon ki kitabon se maloom nahin ho sakti kyoun ke ye tou woh raaz ki baat hai jo ishq ki aag mein jal kar hi maloom ho sakti hai. Tou agar zindagi ki haqeeqat se ba khabar hona chahta hai tou ishq ikhtyar kar kyoun ke zindagi quwwat parwaz ka naam hai aur ye quwat sirf ishq hi se paida ho sakti hai.

Sarod-e-Anjum - Iqbal Persian Poetry

1: (Sitare apna geet gate howe kehte hain ke) Hamara nazaam (aur hamara mamool ke mutabiq chalna) hi hamari zindagi hai. Hamara (ahista ahista) safar karna hi hamari masti (josh aur walwalah) hai. Hamara kisi manzil ke baghair safar karte rehna hi hamari daimi zindagi (ka baes) hai. (yehi wajah hai ke) Aasman ki gardish hamari khawahish (aur marzi) ke mutabiq hai. Hum (sub khuch) dekhte hain aur chalte rehte hain.

2: (Sitare apna geet gate howe kehte hain ke) hum is jalwa gh shahood ko (dekhte hain jahan har lihaz nayi nayi cheezain zahir hoti rehti hain) hum is dunya ko (dekhte hain) jo nayi se nayi cheezon ka but kadah hai. Hum is (kainaat) ko dekhte hain jahan har lihaz moot aur zindagi ki jang hoti rehti hai. Hum is kainat ko dekhte hain jis mein musalsal zindagi ki kash makash rehti hai. Hum dair sawair (aur mazi-o-haal ki) is dunya ko dekhte hain aur chalte rehte hain.

 

3: (Sitare apna geet gate howe kehte hain ke) hum (is dunya mein) jang aur laraiyon ki shidat ko (dekhte hain). Hum (is dunya mein) aqalmandon ki nadaniyon (aur tajarba karon ki ghaltiyon) ko (dekhte hain) hum (is dunya mein) takht aur taj aur phansi (ke takhton) ko dekhte hain). (Is dunya mein) hukamranon (aur badshahon ki zillat aur ruswai ko (Dekhte hain) hum dunya ke ye sare kheel tamashay dekhte hain aur chalte rehte hain.

4: Is dunya mein jo aaqa, malik aur khawaja thay woh apni aqai (aur sardari) se mehroom ho gaye. Jo ghulam (aur chakar) thay unhain (ghulami aur) chakri se nijat mil gayi. (Russia ke badshah) Zaar aur (Rome aur Germany ke badshah) Qaisar ki badshahat khatam ho gayi. Sikandar-e-Azam ka door-e-hukumat bhi khatam ho gaya aur but tarashne (aur but parasti) ke (purane) toor tareeqay bhi khatam ho gaye. Hum (ye sub khuch) dekhte hain aur chalte rehte hain.

5: Ye (insan jo) sakat aur jamad mitti se bana howa hai (dunya mein) hungama (aur shor-o-ghul) barpa kiyerakhta hai. Ye fitrat ke lihaz se zaeef hai magar sakht mehnat mushaqat bhi karta hai. Kabhi ye aish-o-ishrat ki mehfil mein baitha (dad aish de raha) hota hai aur kabhi  is ka janaza (dusron ke) kandhon par ja raha hota hai. Ye dunya ka sardar (hai aur phir bhi dusron ka) ghulam hai. Hum (insan ki zindagi ke ye sare rang) dekhte hain aur chalte rehte hain.

 

6: Tou zaman-o-makan ke talism mein giraftar hai. Kabhi teri aqal masail ki girah kushai kar laiti hai aur kabhi bebas ho kar reh jati hai bilkul us hiran ki tarah jo shikari ke jaal mein phansa howa sakht majboor, ajiz bay bas aur dukhi ho, hum aasmanon par apne buland thikana se (teri ajzi aur bebasi) dekhte hain aur chalte rehte hain.

7: Sitare apna geet gatay howe kehte hain ke haqeeqat parde mein kyoun hai jo khuch zahir (mein nazar aata) hai woh kya hai? tareeki aur roshni ki asliyat kya hai? ye tamaam nazdiki aur doorie kya hai? (Insan in masail mein uljha howa hai aur hum us ki is kaifiyat se bay taluq  usay) dekhte hain aur chalte rehte hain.

 8: Tera zayada hamare nazdeek thora hai aur tera aik saal hamare samne aik lamha hai.

Aay (insan!) tere pehlu mein tou aik samandar hai magar tou (khud hi) shabnam ke aik qatre par qanaat kiye howe hai. (Is ke baraks) ham aik (naye) jahan ki talash mein rehte hain. Hum (is talash mein) dekhte rehte hain aur chalte rehte hain.